PHOENIX, AZ — One day after the release of their ninth studio album Integrity Blues, as well as an intimate in-store performance and signing at Zia Records (Mesa) in homage to their roots, Arizona’s own Jimmy Eat World returned to the stage for 93.3 ALT AZ’s Zombie Prom Music Festival.
— Burning Hot Events (@BHEArizona) October 21, 2016
Now more than halfway through the U.S. leg of their album release tour, J.E.W. was slated as the night’s headliner, preceded by a long-awaited performance by pop-punk legend Good Charlotte. The full lineup also included The Struts, Lewis Del Mar, Barns Courtney, K. Flay, and The Hunna.
It’s hard to believe both of these iconic bands have been dominating the alternative rock scene since the early nineties, famed for timeless hits like Good Charlotte’s “Anthem” (2002) and Jimmy Eat World’s “The Middle.” (2001). Blood-spattered prom dresses and tattered tuxedos speckled the lawn of Fear Farm this past Saturday while undead fans began spilling through venue gates as early as 2:30p.m.
Following a Steven Tyler-esque performance by The Struts frontman Luke Spiller later that night, Good Charlotte collectively stepped into the spotlight for the first time in five years. The group announced an end to their hiatus in November of 2015, and have since released their sixth studio album Youth Authority, a revitalizing tribute to the heavy-handed, punk rock sound Good Charlotte fans have come to know and love.
All at once the intro to “Anthem” roared across the stage, lights throbbing in rhythm as onlookers burst into a sea of fist-pumps, audibly singing along to every word. Good Charlotte’s drummer Dean Butterworth was unable to accompany his bandmates to their comeback performance. They were, however joined by Tony Palermo of post-hardcore band Papa Roach. Joel went on to explain that Tony had learned the setlist on his way to the show, with no rehearsals.
The energy of the crowd seemed to mirror the intensity of the music, surging through classic throwbacks like “The Story of My Old Man,” “Girls & Boys,” and “Riot Girl.” As the audience raged with excitement, Joel’s voice once again took over the speakers.
“We were off for five years! We made a new record and I want to play a song off of it. This is our first night on tour. If I teach you a song, will you sing it with me?”
His question of course, was met with a resounding and exuberant, “Yes!”
Next up on the setlist was “Life Changes” off of Good Charlotte’s latest album. Despite having been released in May of 2016, this track sounds like it could have been off their first album The Young and the Hopeless back in 2002. The band followed up their latest hit with Avenged Sevenfold collaboration, “The River” and lastly, “Lifestyles of the Rich and Famous.” Needless to say, Good Charlotte hasn’t lost their touch — and they still put on one hell of a show. (View Full Setlist)
After a brief soundcheck, members of Jimmy Eat World took the stage one-by-one. Some might say that Good Charlotte would be a tough band to follow after a year off from music, but Jimmy Eat World is one of those bands that is absolutely electrifying when seen live. Zombie Prom was slated to be J.E.W.’s first major Arizona performance since the Summer Ends Music Festival in 2015.
As a shimmering blanket of blue and violet fog billowed out above the stage, Jim Adkins humbly stepped forward, greeting the crowd as if we were all old friends. “We are Jimmy Eat World! Originally from Mesa, Arizona. Thanks for being a bunch of dead people,” he joked. The first few notes of “Get Right” echoed across the venue, and the audience was once again overjoyed, yelling out song titles in hopes of hearing their favorite tracks played live. Although Jimmy Eat World has a definite down-to-earth quality about them, their stage presence is one to be reckoned with.
Adkins and Linton seemed to become one with their instruments as the group passionately moved through popular songs like “Bleed American” and “I Will Steal You Back.” The authentic quality of Adkins’ vocals was especially evident as the band transitioned into a few newly released tracks including “You Are Free” and “Pass the Baby” — a particularly unique composition off of Integrity Blues due to its soulful metaphors, hard-rock undertones and one mega-explosive breakdown.
Saturday’s show also included “You With Me” and “Sure and Certain” off of Integrity Blues, among a myriad of other hits from previous records over the years. Of course, the night wouldn’t have been complete without a crowd-thumping performance of “The Middle” and “Sweetness,” each of us singing the lyrics back through every verse. It was the ultimate album homecoming party, with a robust 19-track set list to boot. (View Full Setlist)
by Katherine Amy Vega
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